Is illness treated as a commodifiable literary product?
- The Fault in Our Stars as example
- Juggling cultural taboos of surrounding portrayals of illness, realism and accuracy according to lived experiences, and young adult themes.
- Should illnesses such as cancer be used as a metaphors/vehicles for other themes?
- Reflect onto Susan Sontag’s ‘Illness as Metaphors‘-> she believes in using science to dispel metaphor and myths
- Others challenge this view: Can we ever strip illnesses such as cancer from metaphors?
- Arthur Frank’s three classifications of illness narratives:
- Restitution narrative (illness -> health, ‘happy ending’)
- Quest narrative (ending not importance, more focus on lessons learned/discovered)
- Would the movie Wit be an example of this?
- Chaos narrative (anti-narrative, time without sequence, reflection but non-reflection)
- Perhaps this is more of Anne Boyer’s approach in her The Undying book
- Cancer diagnosis as de-stabilizing/ de-humanizing, invasive
- Importance of narratives to counter self- fragmentation -> producing identity and experience as the patient is experiencing it.
- Reflections:
- Illness portrayals (commonly seen in mental illness)-> inaccurate in media/ inauthentic -> reading these accounts create incongruence-> stereotypes and myths do not aid interactions between others and the patient -> stigma
- Important questions:
- “Does this text voice illness, fictional or not, in a way that creates agency and empowerment for the reader or does it advance the cliché that proximity to death creates profundity?”
- “Does the voice actually advance an understanding of illness or simply present an emotional melodrama?”
- Jarring contrast between lived experiences of youths with cancer vs. the story -> perpetuate illness myths -> usurping of patient voice
“I do not exist to be your tragedy. I do not
(Huang, para. 41)
exist for you to find special meaning in your life. I do
not exist to teach people lessons or to give people
feels.”
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